For Bassel Khartabil.
I’ve attempted to reference the cycles and pulsations of light that animate Paige Dansinger’s 3D models with a repetitive musical phrase, though with each pass of the phrase different elements are emphasised while new structures emerge. A discordant phrase appears at 45 seconds, and at the 1 minute mark the original phrase is forced into step with said phrase. However, it re-emerges at the original pace 30 seconds later. Finally, we hear the discordant phrase lifting to meet the original on its own terms, but the 2 minute time limit is approaching and the piece must fade out accordingly.
Disquiet Junto Project 0293: Emerge/Immerse
Make music for Paige Dansinger’s Palmyra 3D/VR images, paying tribute to the late Bassel Khartabil.
Step 1: This is the first of two consecutive projects we’re undertaking, following the news of Bassel Khartabil’s death. (If you’re new to the Junto, Bassel was an open-source coder who did a lot of work in CGI before being imprisoned in Syria. Word of his execution just recently became public.) Paige Dansinger is making VR drawings in Tilt Brush inspired by Bassel’s Palmyra CGI work, drawing from her own interest in making a better world. For this project we’re going to make sound, in Bassel’s honor, to accompany her 3D work. View Paige’s pieces at:
Step 2: Think about the sort of sound that might accompany, contribute to, or otherwise be a component part of a VR experience. Now, record a short piece of music, up to two minutes, that is about something emerging — something being brought to life, or coming out of a cave, or otherwise coming into being.
More on this 293rd weekly Disquiet Junto project — Make music for Paige Dansinger’s Palmyra 3D/VR images, paying tribute to the late Bassel Khartabil — at:
Thanks to Niki Korth, Jon Phillips, and Barry Threw for encouraging this project, and to Paige Dansinger for the collaboration. View Dansinger’s 3D drawings of Palmyra here:
More on the Disquiet Junto at:
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Image associated with this project is by Paige Dansinger, more on whom here: